New Books in the Arts & Sciences

Celebrating Recent Work by Mark Taylor

Friday, March 30, 2018  12:15pm The Heyman Center, Second Floor Common Room

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Free and open to the public

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Sponsors

The Society of Fellows and Heyman Center for the Humanities

Office of the Divisional Deans in the Faculty of Arts and Sciences

    Event Video
    New Books in the Arts & Sciences: Celebrating Recent Work by Mark Taylor

New Books in the Arts & Sciences:
Celebrating Recent Work by Mark Taylor 

Last Works: Lessons in Leaving
By: Mark Taylor

Living in the shadow of death may enhance the gift of life.

In 2006, Taylor (Religion/Columbia Univ.; Speed Limits: Where Time Went and Why We Have So Little Left, 2014, etc.) developed an infection after a biopsy, resulting in septic shock that took a month to stabilize; five months later, he underwent surgery for cancer. That life-threatening experience, he reflects, was like “dying without dying,” and the last 10 years have seemed like “life after death for me,” a reprieve that made him feel unexpectedly liberated. Trying to make sense of the experience, he turned to writers whose works he has read, taught, and cherished during his long career. The result is an erudite intellectual autobiography focused on 11 writers’ insights about the end of life: several (Virginia Woolf, Ernest Hemingway, David Foster Wallace, and Freud) committed suicide; two (Nietzsche, Poe) died in delirium; and two (Maurice Blanchot, Jacques Derrida) are likely to be unfamiliar to readers without a background in philosophy. Kierkegaard, Melville, and Thoreau round out the cast. None could be characterized as bright spirits but rather echo the abiding depression that Taylor believes he inherited from his mother. “In one way or another,” he admits, “everything I have written over the years has been an effort to overcome the melancholy of unhappy consciousness.” From his father, however, a science teacher, poet, and artist, he inherited an uplifting love of nature and artistic talent. Living in New England, Taylor senses the ghosts of Melville and Thoreau close at hand. As he watches the sun rise each morning over the Berkshires, he is struck by the moment before light appears and “reality remains virtual and all things seem possible.” As an artist, “exploring ways of writing without words,” he has created large-scale land art from steel, stone, and bone that depict letters from the signatures of Hegel, Kierkegaard, and Nietzsche. They stand as impressive homages to a trinity of beloved philosophers. Taylor’s personal recollections emerge as the most engaging passages, punctuating analyses of often challenging works.

A learned meditation on mortality.

Participants

  • Author

    Mark Taylor

    Professor

    Columbia University

  • Chair

    Gil Anidjar

    Professor in the Departments of Religion, the Department of Middle Eastern, South Asian, and African Studies (MESAAS), and the Institute for Comparative Literature and Society (ICLS)

    Columbia University

  • Speaker

    Clémence Boulouque

    Carl and Bernice Witten Assistant Professor of Jewish and Israel Studies

    Columbia University

  • Speaker

    Michael Taussig

    Class of 1933 Professor of Anthropology

    Columbia University

  • Speaker

    Siri Hustvedt

    Author

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