Spring 2020

The “colonial turn” considerably transformed the field of French history and led to the publication in the last 30 years of a large number of scholarly contributions concerned with the cultural, political, legal, and social aspects of French colonialism. Meanwhile, the political economy of the French colonial empire has received far less attention. The 2008 financial crisis triggered renewed interest in the history of capitalism and economic history more generally, and we are now witnessing the effects of these changes in the field of French colonial history. This conference thus seeks to bring together a new generation of historians and economists who have recently published, or are about to publish, important contributions to the economic history of the French formal and informal empires. The conference does not seek to celebrate the “return” of concerns that were central in the 1970s but rather to better delineate the contours of a new momentum.

How did Beethoven influence the other arts? And how did literature shape the composer’s reputation? In an exploration of Beethoven’s literary afterlife through the lens of chamber performance, this event will examine the formation of a musical legacy. The event will feature faculty lectures by professors Nicholas Dames (Columbia), Arden Hegele (Columbia), and Nicholas Chong (Rutgers), as well as a performance of Beethoven’s violin sonata no. 7 (Op. 30, no. 2) by Chad Hoopes and Anne-Marie McDermott.


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