An avant-garde writer associated with the New York School of poets, Bernadette Mayer was born in Brooklyn, New York, and has spent most of her life in New York City. Her collections of poetry include Midwinter Day (1982, 1999), A Bernadette Mayer Reader (1992), The Desire of Mothers to Please Others in Letters (1994), Another Smashed Pinecone (1998), and Poetry State Forest (2008).
Known for her innovative use of language, Mayer first won critical acclaim for the exhibit Memory, which combined photography and narration. Mayer took one roll of film shot each day during July 1971, arranging the photographs and text in what Village Voice critic A.D. Coleman described as “a unique and deeply exciting document.” Mayer’s poetry often challenges poetic conventions by experimenting with form and stream-of-consciousness; readers have compared her to Gertrude Stein, Dadaist writers, and James Joyce.
Bernadette Mayer has worked as an editor and teacher. She edited the journal 0 TO 9 with artist Vito Acconci and established United Artists press with the poet Lewis Warsh. United Artists Press, under Mayer and Warsh, published a number of influential writers, including Robert Creeley, Anne Waldman, James Schuyler, and Alice Notley. Mayer has taught at the New School for Social Research and The Poetry Project at St. Mark’s Church in New York City. In 2015, she was the recipient of a Guggenheim Fellowship.